Lines of Desire for woodwind trio; Connecticut College Reed Trio
Wesleyan University; Feb 5, 2013


Winged for harp and electronics; Maura Valenti, harp;
Oral History of American Music, Yale University; Dec. 13, 2011


National Anthem for guitar and electronics; Benjamin Verdery, guitar
Cheltenham Guitar Festival, Cheltenham, England; July 26, 2010


Dark Matters for guitar and electronics; Arash Noori, guitar
“Rewired” series, Beinecke Library, Yale University; Dec. 8, 2009


Table of Content for multiple basses and computer; Wen Yang and Jack Vees, basses
Harkness Hall, Yale University; April 15, 2008


Quaditorio for 8 guitars; Benjamin Verdery, director
Chamber Music for Guitar presented by the Yale School of Music; Dec. 15, 2007


Auditorio for solo classical guitar
commissioned piece for the 2006 Yale School of Music guitar auditions; March 13, 2006


Feynman, chamber opera; So Percussion and Michael Cavalieri, baritone
The Knitting Factory, Brooklyn; Dec. 8, 2005


Piano Trio for three players on two pianos; Califonia E.A.R. Unit with David Rosenboom
Dorothy Chandler Pavilion, Los Angeles Music Center, Feb. 21, 1999


Strummage for guitar and electronics; Benjamin Verdery, guitar
Concertgebouw, Amsterdam; Dec. 21, 1998


Party Talk for chamber ensemble and narrator; Ensemble Modern
Berlin Biennale; March 14, 1997

Surf Music Again for bass guitar; Jack Vees, bass guitar
NomCom Music series, Minneapolis, MN; April 19, 1997


Tattooed Barbie for 12 string guitar, oboe and computer; Chez Vees Ensemble
Soho Arts Festival; Sep. 6, 1996


Moral Behavior of Rational Numbers for saxophone quartet and jazz group; Aurelia Saxophone Quartet and Future Shock
Concertgebouw, Amsterdam; Dec. 23, 1995

Fake ID for chamber group with narration; California E.A.R. Unit
“Music in Motion” residency; Oct. 25-29, 1995

Apocrypha for oboe and electronic tape; Libby Van Cleve, oboe
National Institute of Education, Singapore; Jan. 12, 1995; Asian Premiere


A Refutation of Gravity for four electric guitars, four drummers; Jack Vees Group
The Music Gallery, Toronto; May 1, 1994

Prom Face Devotion for bass guitar, Hammond organ, hand drums; Jack Vees Group
“Wired: Music for Humans and Computers,” Yale University; Feb. 27, 1994


Puny Humans! for three midi keyboards, acoustic and electronic drums; Chez Vees Ensemble
CBGB’s Gallery; Nov. 21, 1993

Apocrypha for oboe and electronic tape; Libby Van Cleve, oboe;
“Oboemusik des 20. Jahrhunderts,”Akademie Schloss Solitude; April 4, 1993; European Premiere


Colorized Chaplin for electric guitar and harpsichord; Jack Vees, guitar;
Bang On a Can Festival, New York; May 17, 1992

Instrumentallation #4 for carnival booth/electric guitar toss; interactive
audience piece
Music of Champions, Intermedia Arts, Minneapolis, MN; January 24-25, 1992


Saints Before the Vanishing Point for small ensemble; Zeitgeist
Walker Art Center, Minneapolis, MN; Sep. 30, 1991

Stigmata non Grata for handbell ensemble
Corn Palace Theater, St. Paul, MN; Sep. 19, 1991

(P)LAYER(S), music theater for 2 percussionists and referee
Video Susreti Festival, Sarajevo, Yugoslavia; March 15, 1991


Child Bride for cello, electronics and midi; California E.A.R. Unit
Monday Evening Concerts, Los Angeles County Museum of Art; April 21, 1989

Apocrypha for oboe and electronic tape, Libby Van Cleve, oboe
Toronto; Feb. 25, 1989; Canadian Premiere


John Henry for bass guitar solo; Jack Vees, bass guitar
Bang on a Can Festival, New York; May 21, 1988